Cell – The Basic Unit of Life | Functions, Organelles & MCQs
.png)
“An empire that spoke through stone and silence—where art was not just ornament, but an instrument of philosophy.”
The Mauryan Empire wasn’t just India’s first pan-subcontinental empire—it was also the first to build with a vision. For the first time in Indian history, we witness state-sponsored art that combined power, polish, precision, and profound spiritual symbolism.
Whether it was the roaring lion at Sarnath, the silent elephant at Dhauli, or the awe-inspiring caves at Barabar, Mauryan art echoed the ideals of dhamma (righteousness), unity, and imperial authority.
The Mauryan art, especially during the time of Chandragupta and Ashoka, drew heavy inspiration from the Achaemenid Empire of Persia:
Polished monolithic pillars like those at Persepolis.
Capitals with animal motifs, especially lions and bulls.
Use of inscriptions for royal messages.
Symmetrical, structured palace designs.
But what made Mauryan art truly Indian was how it transformed these influences into spiritual symbolism and Buddhist ideals.
Feature | Achaemenid Art (Persia) | Mauryan Art (India) |
---|---|---|
Purpose | Royal propaganda, divine kingship | Ethical messaging, spread of Dhamma |
Material | Limestone, stone | Polished sandstone, wood |
Pillars | Fluted, stone-carved with capitals | Monolithic, highly polished, with edicts |
Animal Motifs | Bulls, lions, stylized | Naturalistic lions, bulls, elephants |
Legacy | Ended with empire’s fall | Laid foundation for Indian temple styles |
Mauryan Art
│
┌─────────────┴──────────────┐
│ │
Court Art Popular Art
(State Patronage) (Folk & Religious Art)
│ │
- Pillars - Terracotta figurines
- Palaces - Yaksha/Yakshi images
- Stupas - Toys, local deities
Made of monolithic sandstone, highly polished.
Average height: 12–15 meters.
Topped with animal capitals: lion, bull, elephant.
Inscriptions in Brahmi script, carrying Ashoka’s edicts.
Spread across the empire from Uttar Pradesh to Nepal to Odisha and Karnataka.
Inspired by Persian-Achaemenid style, but more refined and ethical in message.
Four lions standing back-to-back, representing power, courage, pride, and confidence.
Resting on a circular abacus with reliefs of bull, horse, lion, elephant—symbolizing Buddha’s life events.
The Dharma Chakra (wheel) is beautifully carved between animals.
Entire sculpture made from a single block of sandstone with mirror-like polish.
Symbolizes Ashoka’s dhamma and the spread of Buddhism from Sarnath.
Located near ancient Kapilavastu, linked to Buddha’s life.
Features a single lion capital, seated upright and alert.
Well-preserved Mauryan polish, clear edicts in Brahmi.
Purpose: To proclaim ethical governance and moral conduct.
Features a majestic zebu bull, resting calmly on a lotus base.
Shows Greek and Persian influence in muscular body and detail.
Lotus is multi-petalled and ornately carved.
Reflects balance between power (bull) and peace (posture).
Originally a Mauryan pillar with Ashokan edicts.
Later reused by Gupta emperor Samudragupta for the Prayag Prashasti inscription (by Harishena).
Symbol of continuity in Indian political history from Mauryas to Guptas.
Dome-shaped structures built to house relics of Buddha.
Simple architecture: Anda (dome), harmika (railing), chhatra (umbrella).
Symbolic, not functional: Meant for circumambulation (pradakshina).
Often renovated and enlarged by later dynasties.
Originally built by Ashoka, later expanded by Shungas.
Features elaborate toranas (gateways) with carvings of Buddha’s life.
Central dome (anda), three chhatris, and circular stone railing.
UNESCO World Heritage Site.
Richly decorated with sculptures and inscriptions.
Depictions of Jataka tales, animals, Bodhi tree, stupa worship.
Great insight into early Buddhist narrative art.
Near site of the Kalinga War.
Features Ashokan edicts inscribed on rocks.
Large modern white dome stupa built with Japanese collaboration.
Symbol of peace and Ashoka’s transformation after Kalinga.
Built at the site where Buddha gave his first sermon.
Circular structure, stone at the base and bricks on upper portion.
Carvings of flowers, humans, and geometric patterns.
Sacred to all Buddhist sects.
Oldest surviving rock-cut caves (3rd century BCE).
Gifted by Ashoka to Ajivikas, an ascetic sect.
Polished granite interiors, echo-friendly acoustics.
Semi-circular ceilings and rectangular halls.
Built during Dasharatha Maurya’s reign (Ashoka’s grandson).
Similar in style to Barabar caves, with longer inscriptions.
Dedicated to Ajivikas, showing religious pluralism.
Later caves served as inspiration for Buddhist chaityas and viharas.
Nearly 6-foot-tall female figure, richly adorned.
Represents Yakshi, fertility deity.
Made of Chunar sandstone, with high polish.
Graceful posture, detailed drapery, holding a fly-whisk (chauri).
Fusion of folk tradition with courtly elegance.
Life-size elephant sculpture carved on a rock face.
Symbol of Buddha’s birth (he entered mother’s womb as a white elephant).
Marks the spot where Ashoka’s message of peace was inscribed.
Serves as visual representation of transformation from violence to non-violence.
Mauryan art was not just ornamental, but ideological. It wasn’t merely about aesthetics—it was about expressing power with peace, governance with ethics, and faith with form.
Through pillars, stupas, caves, and sculptures, the Mauryan Empire carved a legacy that continues to inspire India’s national identity, architectural styles, and spiritual landscape.
UPSC Prelims:
Q. Consider the following statements about Ashokan Pillars:
They are monolithic.
They are made of polished sandstone.
Lion Capital at Sarnath is an example.
Which of the above are correct?
a) 1 and 2
b) 2 and 3
c) 1, 2 and 3 ✅
d) Only 1
UPSC Mains:
Q. Examine the significance of Mauryan art and architecture in the evolution of early Indian aesthetics. (10 Marks).
Comments
Post a Comment